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"FabricLive.26 is a DJ mix album, mixed by The Herbaliser, recorded as part of the FabricLive albums and released on the Fabric label in February 2006. Track listing # Million Dan - "Dogz n Sledgez" # J-Sands (of The Lone Catalysts) - "Southern Lady" # 2 tracks mixed #* RJD2 - "Ghostwriter" #* Dynamic Syncopation - "Ground Zero" (feat. Mass Influence) # Blufoot - "Alphabet Man" (feat. Yungun) # Hurby's Machine - "I Got an Attitude" (feat. Antoinette) # Harry Love - "Surprize" (feat. Verb. T, Yungun & Mystro) # 2 tracks mixed #* The Herbaliser - "None Other" (feat. Cappo) #* DJ Format - "3 Feet Deep (Instrumental)" (feat. Abdominal & D-Sisive) # James Brown - "Talkin' Loud and Sayin' Nothing" # Lefties Soul Connection - "Welly Wanging" # J Rocc - "Play this (One)" # Eric B. & Rakim - "Paid in Full (Seven Minutes of Madness)" (Coldcut Remix) # Demon Boyz - "Glimity Glamity" # Cappo - "I.D.S.T." # The Nextmen - "Spin it Round" (feat. Dynamite MC) # The Jackson 5 - It's Great to be Here # Breakestra - "Family Rap" (feat. Chali 2na, Soup, Double K, Wolf & Munyungo Jackson) # Apathy - "It Takes a Seven Nation Army to Hold Us Back" (feat. Emilio Lopez) # The Herbaliser - "Gadget Funk" # Flying Fish - "Mr Matatwe" (Keep It Up) # Hero No.7 - "Keeping it Real?" # The Roots - "Boom!" # Dynamix 2 - "Just Give the DJ a Break" (12 Club Version) # Diplo - "Newsflash" (feat. Sandra Melody) # Bugz in the Attic - "Booty La La" Miscellanea The Apathy track "It Takes a Seven Nation Army to Hold Us Back" is based on a sample of The White Stripes track, Seven Nation Army, and takes its title from that track combined with the Public Enemy album It Takes a Nation of Millions to Hold Us Back. External links *Fabric: FabricLive.26 Live Category:The Herbaliser albums Category:2006 compilation albums "
"Isaac Lazarus Israëls (3 February 1865 – 7 October 1934) was a Dutch painter associated with the Amsterdam Impressionism movement. Biography The son of Jozef Israëls, one of the most respected painters of the Hague School, and Aleida Schaap, Isaac Israëls displayed precocious artistic talent from an early age. Between 1880 and 1882 he studied at the Royal Academy of Art, The Hague, where he met George Hendrik Breitner who was to become a lifelong friend. In 1881, when he was 16, he sold a painting, Bugle Practice, even before it was finished to the artist and collector Hendrik Willem Mesdag. Two portraits he made in the same year of his grandmother and a family friend, Nannette Enthoven (below), attest to the technical ability he had attained by that age. Starting in 1878, Israëls made annual visits to the Salon des Artistes Français with his father and in 1882 made his debut there with Military Burial. In the 1885 Salon he received an honourable mention for his Transport of Colonial Soldiers. At this time he was reading Émile Zola, as was Breitner, and following his triumph at the Salon he spent a year travelling in the Belgian mining districts and elsewhere. Beginning 1886, Israëls lived in Amsterdam and registered with Breitner at the Royal Academy of Visual Arts to complete his schooling. Both of them, however, quickly abandoned the academy for the more progressive circle of the Tachtigers, an influential group of writers and artists of the time. This was a group that insisted style must reflect content and that emotionally charged subjects can only be represented by an equally intense technique. Influenced by this philosophy, Israëls became a painter of the streets, cafes, and cabarets of Amsterdam. At this time he met the Dutch engraver and painter Willem de Zwart who also became a lifelong friend. He often spent his summers with his father in the Dutch seaside resort of Scheveningen near The Hague. Guests included Édouard Manet and Max Liebermann. Interested by the changing light of sun and sea, he painted many colourful seaside scenes. Towards the end of the century, Israëls was introduced by his childhood friend and portrait painter Thérèse Schwartze to the Amsterdam fashion house at the Leidseplein. Israëls portrayed the whole range of the world of haute couture, from seamstress to wealthy client, gaining access even to the fitting-rooms. Israëls moved to Paris in 1904, establishing his studio at 10 rue Alfred Stevens, , near Montmartre and just yards away from the studio of Henri de Toulouse-Lautrec whom he admired, as he also did Edgar Degas. As in Amsterdam, he painted the Parisian specific motifs: the public parks, cafes, cabarets and bistros, as well as such subjects as fairgrounds and circus acrobats. Likewise he sought out the fashion houses Paquin and to continue his studies of the world of fashion. However, he only exhibited once in this period, in 1909. At the outbreak of the First World War he was living in London, where he found new subjects in horse-riding at Rotten Row and in ballerinas and boxers. He returned to Holland for the duration of the war, living alternately in The Hague, Amsterdam and Scheveningen, where he worked primarily as a portrait painter. Amongst his sitters was Magaretha Gertrud Zelle, better known as Mata Hari, executed as a spy in France in 1917. Her portrait can be seen at the Kröller- Müller Museum. Other sitters included Johanna van Gogh-Bonger and the feminist physician Aletta Jacobs, although he also portrayed ordinary subjects such as girls in the street and telephone operators. Following the war, Israëls visited Paris, Copenhagen, Stockholm and London. He spent the years 1921 to 1922 travelling in India and the Dutch East Indies, sketching and painting the vibrant life of South East Asia and notably the gamelan players of Bali. On his return, he settled at Koninginnegracht 2, The Hague, , his deceased parents' home, where he remained for the rest of his life, nevertheless making regular trips abroad to London, Italy and the French Riviera. At the age of 63, he won a Gold Medal at the 1928 Olympic Games for his painting Red Rider, an art competition then being part of the games. He died in The Hague on 7 October 1934, aged 69, as a result of a street accident a few days before. His partner at that time was Sophie de Vries. Art market On 26 April 2005, one of his Donkey riding on the Beach series realised €482,400 at Christie's, Amsterdam. The sale example was almost identical to the one in the Rijksmuseum, Amsterdam (below), but larger and a little more delicate in tone. On 24 October 2006, A table at the Restaurant Le Perroquet, Paris realised €493,600 at Christie's, Amsterdam. In July 2012 the City Archive of Amsterdam organized a solo exhibition to present Isaac Israëls's works in Amsterdam. Public collections Among the public collections holding works by Isaac Israëls are: * Museum de Fundatie, Zwolle, Netherlands * Rijksmuseum Amsterdam See also * Ippy and Gertie Posing at Fashion House Hirsch, Amsterdam Gallery File:Gewonde KNIL-militair door Isaac Israels.jpgPortrait of a Wounded KNIL Soldier, 1882 File:Isaac_Israels_- _Transport_of_colonial_soldiers_-_Google_Art_Project.jpgHet transport der kolonialen (1883-84), showing the Royal Netherlands East Indies Army walking through Rotterdam to their transport to the Dutch East Indies File:Isaac Israels - Donkeyride.jpgRiding Donkeys on the Beach, c.1898-1900 File:Isaac Israëls - In het Bois de Boulogne bij Parijs.jpgIn the Bois de Boulogne close to Paris, oil on canvas, 1906 File:Isaac Israëls - Naaiatelier van modehuis Paquin, Parijs.jpgSeamstresses at Atelier Paquin, Paris, pencil and pastel on paper, ca. 1904 File:Isaac Israels - Liggend naakt (Sjaantje van Ingen) 19e eeuw.jpgReclining Nude, c. 1894-1900 File:Isaac Israels - Ippy and Gertie Posing at Fashion House Hirsch, Amsterdam.pngIppy and Gertie Posing at Fashion House Hirsch, Amsterdam, ca. 1916 File:Painting of Mata Hari by Isaac Israels.jpgPainting of Mata Hari by Isaac Israëls, 1916 File:Isaac Israels - Woman before Sunflowers by van Gogh, 1917.JPGWoman before "Sunflowers" by Vincent van Gogh, ca. 1917, Museum de Fundatie, ZwolleAround 1917 Israëls borrowed a version of van Gogh's Sunflowers (the version now in the National Gallery, London) from Jo Bonger and used it as a backdrop for several of his portraits, of which this example and Homage to Van Gogh (Blue Blouse) are the best known. Isaac's father Josef was an important influence on van Gogh. File:Isaac Israëls - A table au Restaurant Le Perroquet, Paris.jpgA table au Restaurant Le Perroquet, Paris, between 1905 and 1923 File:Isaac Israëls - Portret van Nanette Enthoven.jpgPortrait of Nanette Enthoven, oil on canvas, 1881Portrait of Nanette Enthoven (1852- before 1903), oil on canvas, 64 x 46 cm, 1881, an early work painted when Isaac was just 16 years old. Notes References External links *Isaac Israëls entry at Netherlands Institute for Art History *Rijksmuseum website entry *Biography *Geheugen van Nederland archive *Israëls' Gold Medal in the 128 Olympic Games (Journal of Olympic History ) *Israels Genealogy Category:1865 births Category:1934 deaths Category:Artists from Amsterdam Category:Dutch Jews Category:Dutch Impressionist painters Category:Fashion illustrators Category:Jewish painters Category:Olympic gold medalists in art competitions Category:19th-century Dutch painters Category:Dutch male painters Category:20th-century Dutch painters Category:Royal Academy of Art, The Hague alumni Category:Medalists at the 1928 Summer Olympics Category:Olympic gold medalists for the Netherlands Category:Olympic competitors in art competitions "
"Diamantino is a municipality in Mato Grosso state in Brazil. It has a population of 18,580 and is near Diamantino River. It is above sea-level, and sits at the foot of the Mato Grosso plateau. Its history dates from 1730 as a gold mining settlement. In 1746, diamonds were discovered, which made the town's population swell and prosper. The amount of diamonds was greatly overestimated, and the town population steadily declined. Near the city is the South American pole of inaccessibility, which means that no place in South America is as far from the nearest ocean as this point. The closest ocean is the Pacific Ocean, at the Peruvian-Chilean border. References Category:Municipalities in Mato Grosso "