❤️ Gilles Groulx 🐇

"Gilles Groulx (May 30, 1931 in Montreal, Quebec – August 22, 1994) was a Canadian film director. He grew up in a working-class family with 14 children. After studying business in school, he went to work in an office but found the white-collar environment too stultifying. Deciding that the only way out was to become an intellectual, he attended the for a time and was a supporter of Borduas' automatiste movement. He also made 8 mm amateur films, which landed him a job as picture editor in the news department of the CBC. After three short personal films that confirmed his talent, he was hired by the National Film Board (NFB) at what was the beginning of the candid eye movement in 1956. National Film Board His first film with the NFB was Les Raquetteurs (1958). Co-directed with Michel Brault, and including the important contribution of sound recordist Marcel Carrière it surpassed the candid eye approach, establishing for the first time in film history, the filmmakers in the midst of the ongoing event. Seeking a truthful relation to the captured film reality, sound is also captured live. The film, not devoid of comical aspects, is also seen as an important step in anthropological cinematography. It captures without judgement, a social phenomenon that would have seemed unimportant in its archaism and triviality (a snowshoe convention on asphalt!), thus revealing with documented distanciation elements of popular Quebec culture that were previously disdained. In 1961, Groulx's focus shifted from the crowd to the individual, with his short documentary, Golden Gloves. Voir Miami (1962) revealed Groulx's poetic side. Although it presents an indictment of contemporary America, it does so in a poetic, almost lyrical style. In 1964, Groulx turned to a highly social and political type of filmmaking, which would be characteristic of his work to the very end. The Cat in the Bag (Le Chat dans le sac), his first feature-length drama, is about coming of age: for the protagonists as they face difficult political choices, and possibly for the Quebec people as well. Not only did Groulx write and direct the film, he also did his own editing (as he would for all subsequent films). In his dramas, Groulx liked to film non-professionals who were the real characters in the story or who were very similar to them and could improvise within a given situation. Before undertaking another feature, Groulx made the documentary short Un jeu si simple (1965), a dramatic look at the sport of hockey in the province of Quebec, and in particular, the Montreal Canadiens teams of 1950-1960. This was followed in 1967 by the film ', a complex collage of images reflecting the daily lives of Quebeckers. Groulx questions their choice of lifestyle through an unconventional filmic language giving unprecedented importance to sound. Barraging the spectators with a disturbing mix of chanting voices, songs, quotations and advertisements from the mass media, the film is a protest against the consumer society, a denunciation of the dehumanizing mechanisms created and used by man against man. Continuing in this pamphleteering vein, Groulx made 24 heures ou plus, a veritable call to revolution, which was censored by the NFB. Shot at the end of 1971, the film was not officially released until 1977. In 1977, he directed the feature-length documentary Première question sur le bonheur, a Mexico- Canada co-production in which Groulx again questions the exploitation of man by man, but this time in the context of rural Mexico. In 1980, Groulx was involved in a serious automobile accident that put an end to his career, although he did manage to come back in 1982 and complete the feature film he had been working on. Au Pays de Zom is a scathingly funny satire on the businessman ethos in the unexpected form of a musical, in which Joseph Rouleau, an opera singer greatly admired by Groulx, plays the role not of a romantic hero but of a financier. Legacy Groulx's films are the work of a worried man perpetually questioning life and the world around him. Through them, he explored different aspects of Quebec society, always varying his style to suit the subject. He was one of the first Quebec filmmakers to make auteur films, both documentary and drama. Overall, it could be said that his films convey a Marxist philosophy with a Brechtian aesthetic. The Cat in the Bag (Le Chat dans le sac) (1964) remains his best known film and played a seminal role in the development of Quebec cinema. In 1985, the Government of Quebec presented Groulx with the Prix Albert-Tessier for lifetime achievement. Filmography =Fiction= *The Cat in the Bag (Le Chat dans le sac) (1964) *Où êtes-vous donc? (1970) *' (1970) *' (1982) =Documentaries= *Les héritiers (Short, 1954) *Les raquetteurs (Short Co-Directed with Michel Brault, 1958) *Normétal (Short, 1959) *La France sur un caillou (Short Co- Directed with Claude Fournier, 1960) *Golden Gloves (Short, 1961) *Voir Miami (Short, 1962) *Un jeu si simple (Short, 1966) *Québec...? (Short, 1967) *Place de l'équation (1973) *24 heures ou plus (1976) *Première question sur le bonheur (1977) See also *Direct Cinema *Cinema of Quebec References External links *Films by Groulx online at NFB Category:1931 births Category:1994 deaths Category:Canadian documentary filmmakers Category:French Quebecers Category:Canadian cinema pioneers Category:Film directors from Montreal Category:National Film Board of Canada people Category:Prix Albert- Tessier winners "

❤️ Osco-Umbrian languages 🐇

"The Osco-Umbrian, Sabellic or Sabellian languages are a group of Italic languages, the Indo-European languages that were spoken in Central and Southern Italy by the Osco-Umbrians before being replaced by Latin, as the power of Ancient Rome expanded. They developed from the middle of the 1st millennium BC to the early centuries of the 1st millennium AD. The languages are known almost exclusively from inscriptions, principally of Oscan and Umbrian, but there are also some Osco-Umbrian loanwords in Latin. Relationship with the Italic languages Following an original theory by Antoine Meillet, the Osco-Umbrian languages were traditionally considered a branch of the Italic languages, a language family that grouped Latin and Faliscan together with several other related languages.Francisco Villar, Gli Indoeuropei e le origini dell'Europa, pp. 474-475. However, this unitary scheme was criticized by, among others, Alois Walde, Vittore Pisani and Giacomo Devoto, who proposed a classification of the Italic languages into two distinct Indo-European branches. This view gained acceptance in the second half of the 20th century, although the exact processes of formation and penetration into Italy remains the object of research.Villar, cit., pp. 447–482. Historical, social and cultural aspects Oscan was one of the many languages spoken in the heart of the Italian peninsula, such as Umbrian and other languages belonging to the Sabine languages, such as Volscian, Sabine, South Picene, Marsian, Paeligni, Hernican, Marrucinian, Pre-Samnite and Sidicini. Aequian and Vestinian may also have been part of the group. They have traditionally been ascribed to either an Oscan group or an Umbrian group. However, they are all poorly attested, and such a division is not supported by evidence. It appears that they may have formed a continuum, with Umbrian in the north, Oscan in the south and the 'Sabellic' languages in between (see next section) having features of both.Rex Wallace, 2008, "Sabellian Languages", in Woodard, ed., The Ancient Languages of Europe, CUP, p 98 However, there were also colonies that spoke Oscan, scattered throughout Southern Italy and Sicily. Oscan was the language of the Samnite tribes, powerful enemies of the Romans, who took years to subdue them (the Samnite wars took place from 370 BC to 290 BC). These languages are known from a few hundred inscriptions that are between 400 BC and the 1st century. In Pompeii there are numerous Oscan inscriptions, such as dedications in public buildings and signs. Umbrian began a process of decline when the Umbrians were subdued by the Romans and the process of Romanisation led to its demise. Of all the Osco-Umbrian languages, it is the one that is the best known, mainly because of the Iguvine Tablets. Distribution These languages were spoken in Samnium and in Campania, partly in Apulia, Lucania and Bruttium, as well as by the Mamertines in the Sicilian colony of Messana (Messina). Past usage Sabellic was originally the collective ethnonym of the Italic people who inhabited central and southern Italy at the time of Roman expansion. The name was later used by Theodor Mommsen in his Unteritalische Dialekte to describe the pre-Roman dialects of Central Italy that were neither Oscan nor Umbrian. The term is currently used for the Osco-Umbrian languages as a whole. The word "Sabellic" was once applied to all such minor languages, Osco-Umbrian or not. North Picene was included, even if it has always been known to have been unrelated. Classification The Osco-Umbrian languages or dialects of which testimony is preserved are:Vetter, 1953; Adiego-Lajara, 1992; Rix, 2000. *Oscan, with spoken languages in the southern central region of the Italian peninsula, which includes: **Oscan is the best documented language of the group, along with other varieties that are poorly known and considered related to Oscan: ***Marrucinian ***Paeligni ***Sidicini *Umbrian, with languages spoken in the northern central region of the peninsula. **Umbrian **Marsian **Sabine **Volscian **Hernican *Picene-Pre-Samnite **South Picene **Pre- Samnite, a language documented in the south, but which seems to contain characteristics closer to South Picene than to Oscan. *Unknown **Aequian **Vestinian Little-documented variants collectively known as "Sabellic dialects" are ascribed without much evidence to the two main groups. Some authors doubt such traditional classification, placing, for example, Aequian and Vestinian in opposite branches, instead of grouping them together.Coleman, 1986 Linguistic description The Osco-Umbrian languages are fusional inflected languages with about 5 different morphological cases in the singular, similar to those of Latin. = Differences from Latin = Although the Osco-Umbrian languages are far more poorly attested than Latin, a corpus of a few thousand words' worth of inscriptions has allowed linguists to deduce some cladistic innovations and retentions. For example, while Proto-Indo- European aspirates appear as b, d and h/g between vowels in Latin (medius < *medʰyos), the aspirates all appear in Sabellic as f (Oscan mefiai). In addition, while Latin retained the Proto-Indo-European labiovelar series ("Q-Italic"), the Osco-Umbrian languages merged them with the labials ("P-Italic"): Latin quattuor, Oscan petora. See also *Italic peoples Notes = References = * Further reading *Adams, Douglas Q., and James P. Mallory. 1997. "Italic languages." In The encyclopedia of Indo- European culture. Edited by James P. Mallory and Douglas Q. Adams, 314–19. Chicago: Fitzroy Dearborn. *Baldi, Philip. 2002. The foundations of Latin. Berlin: de Gruyter. *Beeler, Madison S. 1952. "The relation of Latin and Osco- Umbrian." Language 28: 435–43. *————. 1966. "The interrelationships within Italic." In Ancient Indo-European dialects: Proceedings of the Conference on Indo-European Linguistics held at the University of California, Los Angeles, April 25–27, 1963. Edited by Henrik Birnbaum and Jaan Puhvel, 51–58. Berkeley: Univ. of California Press. *Buck, Carl Darling. 1928. A grammar of Oscan and Umbrian, with a collection of inscriptions and a glossary. 2nd edition. Boston: Ginn. *Clackson, James. 2015. "Subgrouping in the Sabellian Branch of Indo‐European." Transactions of the Philological Society 113 (1): 4–37. *Coleman, Robert. 1986. "The Central Italic languages in the period of the Roman expansion." Transactions of the Philological Society 84(1): 100–131. *de Vaan, Michiel. 2008. Etymological dictionary of Latin and the other Italic languages. Leiden Indo-European Etymological Dictionary Series 7. Leiden, The Netherlands: Brill. *Dupraz, Emmanuel. 2012. Sabellian Demonstratives: Forms and Functions. Leiden: Brill. *Mercado, Angelo. 2012. Italic Verse: A Study of the Poetic Remains of Old Latin, Faliscan, and Sabellic. Innsbruck: Institut für Sprachen und Literaturen der Universität Innsbruck. *Nishimura, Kanehiro. "Superlative Suffixes *-ismo- and *-isim̥mo in Sabellian Languages." Glotta 81 (2005): 160-83. www.jstor.org/stable/40267191. *Poultney, James. 1951. "Volscians and Umbrians." American Journal of Philology 72: 113–27. *Tikkanen, Karin. 2009. A comparative grammar of Latin and the Sabellian languages: The system of case syntax. PhD diss., Uppsala Univ. *Weiss, Michael L. 2010. Language and Ritual In Sabellic Italy: The Ritual Complex of the Third and the Fourth Tabulae Iguvinae. Leiden: Brill. *Woodard, Roger D. 2008. The Ancient Languages of Europe. Cambridge: Cambridge University Press. External links "

❤️ Rag Doll (character) 🐇

"Rag Doll is the name of three different supervillains appearing in American comic books published by DC Comics. Peter Merkel is a villain of the original Flash. The second Rag Doll is an enemy of Starman. The third Rag Doll is the son of the original and a member of the Secret Six. Rag Doll made his live appearance on the fifth season of The Flash played by Troy James and voiced by Phil LaMarr. He returned in an episode of the sixth season. Publication history Rag Doll was first introduced as an adversary for the Golden age Flash in a story published in Flash Comics #36 (December 1942), created by writer Gardner Fox and artist Lou Ferstadt. In the Starman series, James Robinson revived the character, giving him a darker reimagining under the name Colby Zag. His son, Peter Merkel, Jr., most recently used his father's name as a member of the Secret Six. Fictional character biography =Peter Merkel= Golden Age Peter Merkel, a native of the Midwestern United States, was born with a unique condition, "triple-jointedness". Like the more common "double-jointedness", Merkel's condition was characterized by extremely extensible ligaments and tendons, though to a significantly extended degree. The son of a side-show barker, Merkel found work in a small local carnival as a contortionist and eccentric dancer. In the early 1940s, the carnival fell on hard times and Merkel found himself out of work. Wandering the streets, Merkel despaired of having money. Seeing large boxes of toys being loaded into a department store, Merkel hit on the idea of hiding himself in one of the large rag dolls and then robbing the store after closing. Going unnoticed among the toys, Merkel carried his idea one step further: He would rob while still hidden in the Rag Doll suit. In these earliest days of costumed villains, the idea seemed novel and Merkel decided that no one would believe that a Rag Doll could commit crime. In time, the legend of the Rag Doll grew far and wide. Petty crooks began to seek out the Rag Doll, to take advantage of his criminal success. In 1943, the Rag Doll moved his operation to Keystone City. There he had his thugs deliver him as a gift to a young heiress named Geralda Cummins. The young girl was holding a much-touted party for her circle of socialites and the Rag Doll aimed to take advantage of the situation. To coordinate the event, Cummins had selected Joan Williams who had recently begun a party and festival business. It was decided that each of the wealthy guests would donate $10,000 in defense bonds to serve as a prize in a treasure hunt. Whoever solved the hunt first, won the prize. Unknown to Joan, the doll Geralda had received as a gift was listening and planning a much different outcome. The next evening, the guests gathered to hear the reading of the first clue. As the guests departed, the Rag Doll signaled his thugs to follow them to the museum while he stayed to interrogate Joan Williams. His ploy was delayed however, by the untimely arrival of Williams' beau, Flash. While the Rag Doll remained in hiding, Williams and the Flash departed for the museum to provide the next clue. On their arrival, they were waylaid by the Rag Doll's thugs. While the Flash made short work of the henchmen, the Rag Doll himself drugged Joan with chloroform and stole the remaining clue. With these, he could find the treasure himself. With the henchmen wrapped up, the Flash returned to find Joan amnesiac from the chloroform and with no recollection as to the location of the bonds. Taking the first clue, the Flash then began to solve the puzzle at super-speed and intercepted the Rag Doll on the 4th clue, at a local aquarium. The Rag Doll got the jump on Garrick with a swift blow to the skull and dumped the hero into an aquarium containing a giant octopus. He then raced quickly back to the Cummins estate to solve the treasure hunt with the 5th clue. Meanwhile, the Flash came to and after a tussle with the octopus, hotly pursued the criminal. He arrived just in time to see the Rag Doll pull the defense bonds out of their hiding place in the Cummins' grand piano. Quickly, and literally, tying the villain in knots, the Flash returned the gift and carted the outlandish criminal off to the Keystone City Jail.Flash Comics #36. DC Comics. Silver Age Flash is reported to have had several other encounters with the Rag Doll over the years but none have been recorded. In the mid-1970s, the Rag Doll became a pawn in a rather bizarre series of robberies. After an encounter with the Thinker, the Rag Doll became brainwashed to commit crimes based on dolls. When the Flash intercepted the criminal, mundane "accidents" befell the elder speedster, undermining his self-confidence. The Thinker's plan was to destroy the Flash's self-esteem to the point that the hero would be too ineffectual to stop his grander plans. The Thinker was undone however, by a surprise visit from the Silver Age Flash, Barry Allen, who quickly captured the former carnival worker. Allen also noticed a bizarre aura around the heads of Garrick and Merkel, suggesting that each was being manipulated in some way. At Merkel's interrogation, the Rag Doll swore that he had no recollection of any crimes, convincing Allen that there was a greater force at work. Quickly switching Merkel for a real rag doll, he convinced Garrick and the Keystone police that a bizarre transmogrification had occurred and that Merkel was somehow dead. He then departed, only to return and hide in the evidence room when the Thinker himself paid a visit to confirm the demise of his agent. Caught red-handed, the Thinker was quickly apprehended by the two Flashes and both the Thinker and the Rag Doll were returned to prison.Flash Comics #229. DC Comics. Ragdoll in his Golden Age costume from Who's Who. In the early 1980s, the Rag Doll was contacted by the Ultra-Humanite, a long-standing foe of the Justice Society. Along with other elder villains as well as new younger recruits, the Rag Doll became a founding member of the second generation of the Secret Society of Super Villains. The Ultra-Humanite had devised a machine that, for the sacrifice of ten heroes from the Justice Society and Justice League to be held in stasis, (five from each team), all the heroes on Earth would disappear. Each villain then was assigned to dispose of his long-time nemesis and the Rag Doll took the Flash. After delivering a false tip to the Flash, the Rag Doll ambushed the hero on a freight ship in Keystone Harbor. After luring him into the hold, the Flash learned too late that all he would find there was a bomb, the explosion of which dropped the unconscious hero at the feet of his adversary. As the other members of the Secret Society completed their task, the heroes were dispatched to Limbo, clearing Earth of costumed heroes. Unfortunately, the Ultra-Humanite had deceived the Earth-One villains into helping, by telling them they had an equal chance of their Earth being purged of heroes. This was not true. The Earth -One villains were placed in Limbo, but, while the Rag Doll and his colleagues waged a massive crime wave, the villains rescued the captured heroes in Limbo. In short order, the Secret Society of Super-Villains were consigned to Limbo and the balance of heroes on Earth was restored.Justice League of America #195-197. DC Comics. Limbo would not prove a prison for the Rag Doll for long. While trapped there, the Ultra- Humanite made contact with himself in the past, when he occupied the body of Dolores Winters in 1942. Through the contact of advanced information, the Ultra-Humanite taught himself a way to open a portal to Limbo in the 1940s. On doing so, the Rag Doll and other members of the Secret Society escaped to assist the young Humanite defeat the All-Star Squadron. After a romp across the landscape of their youth, the aging villains proved no match for the large numbers of heroes and were beaten back to Limbo.All-Star Squadron #24-26, Annual #1. DC Comics. Modern Age By the late 1980s, the Rag Doll was well into his 60s. His hyper-elastic ligaments had begun to collapse and over- extend, causing the villain great pain. Using his persuasive speaking skills he learned as a circus barker, he gathered together a cult of followers which he used to initiate a crime wave in Opal City. Ted "Starman" Knight, unable to stop the madman, asked Justice Society of America members Green Lantern, Flash, Hourman, and Dr. Mid-Nite to assist him. The heroes thwarted Rag Doll's plans and captured the villain. Restrained, Rag Doll taunted the heroes, telling him that he would command his horde from prison. He threatened the lives of Jay, Alan, and Ted's families. While the JSA listened, Rag Doll managed to slip free of his bonds. In the confusion, Rag Doll was killed. It has since been largely concluded that Starman, fearing for the safety of his sons, had slain the villain, a fact disputed by witnesses Flash and Green Lantern. The next afternoon, Rag Doll's body disappeared from the morgue.Starman #9-11. DC Comics.Starman 80-Page Giant #1. DC Comics. Exactly how the Rag Doll survived is unknown. His body was retrieved by his followers. Some years later, Rag Doll was approached by the demon-lord Neron. In exchange for Rag Doll's soul, Neron restored the villain's youth and health and enhanced his flexibility. He also instructed Rag Doll to remain hidden until approached by a man named Simon Culp. Years later, Culp did come looking for Rag Doll's help. Trapped in the form of the Shade, Culp explained that he had a very profitable plan to launch against Opal City and the Shade. Rag Doll agreed to help.Starman #68. DC Comics. Rag Doll helped Culp's gang subdue Mikaal Tomas when the alien attempted to make contact with Ted Knight.Starman #64. DC Comics. Rag Doll watched as Culp cast a spell on the Black Pirate, causing Opal City to become encased in a shadow-dome.Starman #63. DC Comics. Rag Doll and his gang then helped Culp seize control of the entire city. The villains then paraded their prisoners, baiting Jack Knight into a confrontation. Jack held his own until, cut off from the stars, his cosmic rod failed. As Rag Doll and the villains beat Jack down, the Shade fell to the ground as Culp emerged from within his shadow form.Starman #65. DC Comics. Just as Culp was about to slit Knight's throat, Adam Strange and Black Condor attacked. Their distraction enabled Knight to fight his way free. The three heroes freed Culp's prisoners, and escaped. Culp and his gang remained in custody of the Shade however, and withdrew to prepare for the final rite.Starman #67. DC Comics. While Culp prepared, he sent Mist, Solomon Grundy, Rag Doll, and Crusher to search for the escaped heroes Starman #69 Ted confronted Doctor Phosphorus in the streets of Opal and, no longer needing to be cautious of his health, fought the villain toe-to-toe. Ted defeated his radioactive foe, but as he was about to deliver a killing blow, he was ambushed by the Rag Doll.Starman #70 Phosphorus quickly recovered and the two villains closed in on Knight. As they moved in for the kill, Ted used his cosmic rod to tear the pavement from beneath Dr. Phosphorus and drive him into the earth, killing the villain. With that, the rod's charge was exhausted. Ted turned to face Rag Doll, challenging the villain to kill him, sparing him a suffering death from Phosphorus' radiation poisoning. Rag Doll then turned and left.Starman #71. DC Comics. Rag Doll was then recruited to join a new version of the Injustice Society. He helped rescue the Icicle from incarceration, leading to a showdown with the JSA. In the ensuing battle, the Injustice Society used strange discs to teleport the elder JSAers away. Their mission accomplished, the Injustice Society disappeared.JSA All-Stars #1. DC Comics. He then briefly rejoined a reformed version of the Secret Society. During an assault against the Secret Six, he battled his son (who had taken over the Rag Doll name and identity). Their battle was cut short by other attacking villains.Villains United #5-6. DC Comics. Soon afterward, Rag Doll died while on a mission with the reformed Injustice Society (JSA Classified #5-7). The team was attempting to retrieve the Cosmic Key (which would return Johnny Sorrow), but they were betrayed by the Society. In the midst of the battle, it appeared as if that Rag Doll and the Gentleman Ghost betrayed their comrades and ran away with the Key. However, Tigress witnessed the return of Johnny Sorrow whose sudden emergence killed Rag Doll, although Gentleman Ghost was prepared for it as he handed Sorrow his all-important mask. Sorrow and the rest of the Injustice Society escaped to safety in the Crooked House, the former abode of Prometheus. It was then revealed that Gentleman Ghost, Wizard and Icicle were expecting Rag Doll to turn on them, so they set him up to die. The New 52 In September 2011, The New 52 rebooted DC's continuity. In this new timeline, Peter Merkel has been incarcerated in Arkham Asylum. Merkel first appears as one of the many inmates attempting to escape in a riot.Batman: The Dark Knight (vol. 2) #1. DC Comics. Merkel later takes part in the Arkham War.Forever Evil: Arkham War #1-6. DC Comics. =Colby Zag= Jack Knight has also squared off against a mentally unbalanced impostor named Colby Zag. created by James Robinson. During the time when the original Rag Doll was believed dead, Zag met band player Mr. Tyrell through the internet. Tyrell had bribed his former bandmates to keep quiet about his involvement in a drug related death. Eventually, his bandmates began extorting more money from him, so Tyrell planned to kill them. He helped Zag adopt the personality and mannerisms of the Rag Doll and sent him to kill the extortionists. Zag succeeded in killing four of the five men, but was stopped thanks to the intervention of Jack Knight.Starman 80-Page Giant #1 =Peter Merkel, Jr.= Peter Merkel has a son named Peter Merkel Jr. who also operated as Rag Doll. Ragdoll's other children Besides his son, Peter Merkel stated to Icicle that he had many other children. This seems backed up by Peter Merkel Junior's mention of having a triple-jointed brotherSecret Six #1. DC Comics. and the recent appearances of his daughter Alex, a.k.a. Junior.Secret Six #5-7. DC Comics. Along with his children, Rag Doll also had his cult followers who all apparently committed suicide while blowing up their house. Powers and abilities Rag Doll is a master contortionist and, in later years, successful hypnotist through oratories he delivers. His body is absorbent enough to withstand concussive forces capable of rendering most human individuals unconscious. He is an adequate marksman and typically relies on the element of surprise. He is a skilled thief, and augments his stealth with his ability to hide in unexpected places where a human normally could not place themselves. In other media Rag Doll as appeared in The Batman. * Rag Doll appears in The Batman episode "Ragdolls to Riches", voiced by Jeff Bennett. Able to bend himself into every imaginable position and withstand being wholly crushed, Rag Doll is a formidable opponent for Batman and Catwoman. His fighting style includes swinging his arms and legs lazily at his opponent, and also bending in different positions when attacking or dodging. In "Team Penguin", Rag Doll is among the villains that help out Penguin in his latest crime spree. When Penguin forms his team of villains, Rag Doll suggests they call themselves "Villains United". * The Peter Merkel version of Rag Doll appeared in The Flash episode "All Doll'd Up", portrayed by contortionist Troy James and voiced by Phil LaMarr. This version is an African-American criminal who was "crushed, snapped, and broken" by shrapnel from the Thinker's Enlightenment Satellite. This gave Merkel the ability to contort himself in nightmarish ways as he started targeting people's most treasured items. When he attacks Barry Allen with power-dampening cuffs, Iris is able to get the cuffs off of him in time while Merkel is defeated by Ralph Dibny, who literally swallows the criminal to suffocate him into submission. While Cisco Ramon gives Merkel the name "Rag Doll", Dibny states that Rag Doll is being remanded to Iron Heights. Rag Doll returns in "Gone Rogue", where he teams up with Brie Larvan, Weather Witch, and XS for a heist at McCulloch Technologies. After the rest of the team turns on XS, they fight Team Flash with Rag Doll apprehended by Iris and Joe West. In the episode "So Long and Farewell," Black Hole member Joseph Carver hires Rag Doll to target Joe West. The first attack had him cutting the brakes to Joe's car which Joe bailed from. The second attack in the Central City Police Department had Rag Doll giving Joe a shoulder wound while springing Sunshine from police custody in the process. The third attack involved capturing Cecile Horton and having her placed on a motion bomb. Taking advantage of the pipes that Rag Doll was in, Flash banged them until Rag Doll came out enough to place the power-dampening cuffs on him. References External links * The Comic Archives: The Rag Doll * The Rag Doll Profile at Legions of Gotham.org * Rag Doll Rap Sheet * The Rag Doll's Animated Profile (The Batman) * Rag Doll Animated Bio * Alan Kistler's Profile On: THE FLASH - A detailed analysis of the history of the Flash by comic book historian Alan Kistler. Covers information all the way from Jay Garrick to Barry Allen to today, as well as discussions on the various villains and Rogues who fought the Flash. Various art scans. Category:Comics characters introduced in 1999 Category:Characters created by Gardner Fox Category:Fictional professional thieves Category:Comics characters introduced in 1942 Category:DC Comics supervillains Category:Golden Age supervillains Category:Fictional contortionists Category:DC Comics martial artists Category:Fictional characters who have made pacts with devils Category:Characters created by James Robinson "